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Tripod, shmipod

So, a couple of days ago, I left my tripod at home on a day which turned out to have some really rockin thick white clouds. Exactly the sort I’ve been wanting to try my R72 on. The R72 was in my bag, so I decided to throw it on the camera and crank the ISO to 1600 and see what I got.

Flags (IR)

This is pretty much the exact opposite of the workflow I used last with IR — careful long exposure tripod shots using exposure blending to maximize tonal range. This was scale or guesstimate focused, and composed with even less precision, and exposed at or over the limit of what I could handhold safely, and working with the very limited dynamic range at high ISO. The results — while still IR — have a very different feel. Softer (of course), grainer (of course), and overall with a bit of a toy camera feel.

Lake Merritt Channel (IR) (View Large)

One thing that sort of surprises me about these images is that I find myself cropping them far less than I do most of my images. Usually I crop at least a little to adjust framing or trim off extraneous bits — which only makes sense; none of my cameras has 100% viewfinder coverage, anyway. But some of these shots, framed without the benefit of any kind of finder whatsoever, seem to work compositionally to the point that I don’t feel any urge to crop them at all.

Lake Merritt Channel (IR)

Weird.

Anyway, this definitely makes me want to get into film IR, and/or get a body conversion. This ability IR has to reveal bring something otherworldly to mundane views — or, more accurately, to reveal something otherworldly within mundane views — is getting addictive.

Clouds (IR)

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